Friday, 26 September 2014

SFFSat 27/9/14 - Blue Ice 6

SFFSat is a place where a number of authors post snippets from their written works, and give the opportunity for comments, support and encouragement. This is my snippet for it - please also explore the other blogs that are part of this set - you can find the information here. 

This is part six of Blue Ice. Anton deGama is in the rings of Saturn, planting bio-engineered plants on a chunk of ring ice, when his colleague Kellerman sees something blue moving on the ice. Despite all common sense, Anton moves towards it, to see living creatures moving towards him...



Each creature was shaped like a snowflake hexagon atop a crystalline frond. The six panels could change their attitude independently, to grab sunlight and to focus it through the crude crystal lens at the base of the frond. The thing moved by directing the faint sunlight through the organic lens onto the ice below it: as the ice burned away, the spreading water-vapour pushed the creature onwards. It obviously relied on the marginal gravity of the fragment to keep it from drifting off into space.
Anton suspected the creatures were not greatly dissimilar to the draxbloom or svenskite plants that ringfarmers cultivated, clearly formed from the same silicorganic genetics. But Anton had never heard of anyone bio-engineering anything like this.
Kellerman was demanding that he reply. He finally murmured "They're alive, Kellerman."
"I was beginning to wonder if you were, Anton! What are alive?"
Anton briefly described what he could see, watching the creatures devouring his crop. Each one enfolded a draxbloom in its snowflake. The motion was so slow and sensual that Anton for a brief, delirious moment wondered if this was some bizarre mating ritual. But then he saw the flower petals shattering and the fragments being absorbed. This was a ritual of consumption, not reproduction.


As always, comments appreciated!



Friday, 19 September 2014

SFFSat 20/9/14 - Blue Ice 5

SFFSat is a place where a number of authors post snippets from their written works, and give the opportunity for comments, support and encouragement. This is my snippet for it - please also explore the other blogs that are part of this set - you can find the information here. 

This is part five of Blue Ice. Anton deGama is in the rings of Saturn, planting bio-engineered plants on a chunk of ring ice, when his colleague Kellerman sees something blue moving on the ice. Despite all common sense, Anton moves towards it...

Anton could feel centrifugal force increasing as he got closer to the equator. This ring-chunk was nearly a kilometre long, and he was almost tiptoeing across the surface. Ahead of him, there was a crystal shimmer from the surface. A blue shimmer. Anton froze (an all-too-literal word) as he studied what he could see.

"DeGama! Get away from there, Anton! Get off the fragment! Anton! Talk to me!"

Anton could hear Kellerman punching keys, and guessed that she was disengaging from the Deep Space Observatory. He suspected that Jodrell University would not be amused at the delay in the repair works to their prime research tool. But his attention was on the two dozen cobalt blue shapes, each a metre across, moving slowly through his crop towards him. 
 
They were not anything he had ever seen before, but Anton had no doubt that they were alive.

 Next time, we find out what these things are.
As always, comments appreciated!
 

Friday, 12 September 2014

SFFSat 13/9/14 - Blue Ice 4

SFFSat is a place where a number of authors post snippets from their written works, and give the opportunity for comments, support and encouragement. This is my snippet for it - please also explore the other blogs that are part of this set - you can find the information here. 

This is part four of Blue Ice. Anton deGama is in the rings of Saturn, planting bio-engineered plants on a chunk of ice the size of an ocean liner, when his colleague Kellerman sees something blue moving on the ice. Anton moves towards it...




Anton needed a successful harvest to stay in business. He had chosen draxblooms because they were tried and tested – they would not give a large profit, but the bio-tech was well-established in the rings and was a safe option. 
 
"DeGama? What are you doing? Talk to me, groundhog!"

He checked his footing as he replied "I'm not losing my crop if I can help it, Kellerman. Keep your scope on me and warn me when I'm close."

"You're close now, dimwit! Get out of there, DeGama! Get back aboard the Rose and survey it from space!" Anton could hear Polestar's contralto rising in pitch as the ship responded to Kellerman's mood. 
 
All logic dictated that he get off the ice-cube. Anything abnormal was dangerous. He resolutely ignored common sense, and kept moving.


Sorry - still no reveal of what Anton is facing. Maybe there will be the start of an answer next time... As always, comments appreciated!

Wednesday, 10 September 2014

Cover Reveal! Sorrel in Silver

I have a cover!

Still only in early form, and it may change yet. Don't trust the barcode, either - it's a mockup just to see how it looks.

If anyone has any thoughts or reactions to it, I'd love to hear their comments!

No definitive release date for Sorrel in Silver, but I'm hoping for early to mid October.

Thursday, 4 September 2014

SFFSat 6/9/14 - Blue Ice 3

It's good to see SFFSat back! SFFSat is a place where a number of authors post snippets from their written works, and give the opportunity for comments, support and encouragement. This is my snippet for it - please also explore the other blogs that are part of this set - you can find the information here. 

This is part three of Blue Ice. Anton deGama is in the rings of Saturn, preparing a harvest of yellow plants on a chunk of ice the size of a football field, when his colleague Kellerman reports that she can see a patch of blue - and that it is moving...

 
Kellerman's comment made no sense. All round him the ice shone with yellow petals, drinking in the thin sunlight. He could see no hint of anything amiss. Except... the equator had a faint cyanic tinge that had not been there before.
His helmet hissed again. "DeGama? I've got my scope on your rock. That blue colour is definitely moving."

Anton swore unthinkingly into his mike, evoking a sharp protest from Kellerman. Nothing – in his not inconsiderable experience – could make a chunk of ice change colour, except human action. And no one else had any right to be on this fragment.

"DeGama, that blue is moving your way." Kellerman's usually calm voice was carrying more than a trace of worry. A corner of Anton's mind registered that she did care about him, after all, but he was more concerned about avoiding his flowers as he walked across the ring chunk towards the mystery.


As always, comments appreciated!


Friday, 29 August 2014

A new Players' Handbook

The last couple of weeks have been somewhat fraught in real life – primarily illnesses and pressures of work. As a consolation present, Janet got me the D&D5 Players' Handbook (courtesy of Niche Comics who imported a handful of copies).
 
 
My initial impression of D&D5 was positive. My first skim through the full rulebook has not changed that. The character creation section emphasises characterisation and background over mechanics. The basic character sheet puts all the game mechanics into less than one side of A4 and then gives the rest of the sheet over to traits, personality, history, friends, allies, appearance, ideals and flaws. Not in a mechanistic style, either – these are matters for the player to come up with to flesh out each PC.


 
The mechanics system is simple and fast, and the baroque complexities of Pathfinder characters are replaced with simpler basic structures combined with variant suggestions that do not particularly rely on mechanics, more on how each character is played. The paladin, at third level, has to take an oath to confirm his or her outlook – but the oath can be one seeking vengeance or one seeking devotion to a deity. Suddenly we have two very different paladins.




Feats – which were becoming (IMHO) the bane of Pathfinder, are relegated to an optional rule, and greatly simplified in comparison to the vast number of detailed and complex Pathfinder feats.


The emphasis is on building characters, not complicated bundles of stats.

Artwork is less important, but I like the style for D&D5. Much more naturalistic, and also more sensible – just one example is a barbarian who is not clad in just a loincloth.


At the moment I think D&D5 looks better than any other iteration of D&D or similar RPGs I've seen (and I've seen a pretty wide range). So far I've only skimmed a tiny proportion of the PH, and we will have to await the DMG to get the overall picture, but thus far I like what I see. 


Monday, 18 August 2014

Thunderbirds




 
I've been a Thunderbirds fan since I was very, very little. 

 
It was about the only programme we watched on ITV when I was small. My father worked for the BBC, so it felt like treachery to be on the other channel, but it was worth it for Thunderbirds. 



 
The show had amazing machines and extraordinary technology. Some of the plots were pretty good, too.




      



The characterisation was functional (though the central characters were all given enough personality to be distinctive – I suspect the influence of Sylvia Anderson here). But it was the boys' toys that grabbed me. Not just the Thunderbirds craft themselves – though they were spectacular – but also the other craft that populated the landscape.



 

The Sidewinder. 
 











 Crablogger.
The helijets. 

Zero-X. 


And – of course – Fireflash. This was a complete world of the future, or how I wanted, at age 8, to think the future might look.


 

Thunderbirds was not Gerry Anderson's first or last series, but it was the one that caught the lightning. It is the show that most people remember of Anderson's oeuvre.

 



 
Yes, from a 21st Century perspective (ironic, since the studio was Century 21), I can see the problems with all these atomic-engined craft, and the ecological impact of monsters like the Crablogger don't bear consideration. But at the time they felt extraordinary and wonderful. This was an optimistic view of the future that fired my enthusiasm for technology. The Thunderbirds theme tune – especially the fast theme that played behind the snapshots of the episode to come – still makes my heart pump faster and gives me a thrill of excitement.



This was a show about saving lives – rescuing people. Every other action series at the time seemed to involve killing enemies – this was positive and life-affirming.

 




 
It even had a decent female role-model in Lady Penelope: not that, as a pre-teen boy, I was desperately interested in such things at the time.




 
Not all of the thirty-two episodes were great. There are some that make me cringe (Mighty Atom comes to mind, as does Security Hazard – and don't even think about mentioning the Christmas episode). But some stories still stand out and work superbly even now. 

 
  



Terror in New York City, where the Empire States Building topples, is still one of my favourites, as is Sun Probe (with the wonderful dichotomy between the astronauts roasting and Virgil and Brains freezing).



  
 
I'm not going to deign to mention the appalling Thunderbirds feature film from 2004. There is apparently a new series in production, using a mixture of models and CGI. I wait with interest, but also with trepidation. Thunderbirds was a product of its era – I'm not confident that the lightning can be recaptured. 



 
But I will always have a great and abiding affection for the original.